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Boudleaux Bryant Interview - 1983-05-12

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Title	Boudleaux Bryant Interview - 1983-05-12
Call Number	OHC71
Description	(0:00) John opens the conversation with Nat Tannen and the Bryants creating their own publishing company, Showcase Music / (4:04) The conversation continues into Showcase Music and Vic McAlpin’s role in the company / (8:42) The conversation continues into the end of Showcase Music and the transfer to Acuff-Rose / (10:26) John asks about the beginning of the Bryant’s careers with Acuff-Rose and the Everly Brothers / (15:10) The conversation continues into the Everly Brothers’ song "Bye, Bye Love" and general work with the Everlys / (18:42) Boudleaux discusses the magnitude of certain hits with the Everly Brothers and other artists / (22:55) John asks how the songs got placed with artists, Boudleaux tells the story behind "Raining in My Heart" by Buddy Holly / (24:03) Boudleaux transfers into Bob Luman’s "Let’s Think About Living" / (26:30) John asks about songwriter’s demos and how that may or may not interfere with producers / (29:23) The conversation continues with demos and how Boudleaux likes to present them / (34:52) John asks Boudleaux about the A&R men of the late 50’s and early 60’s / (38:40) Boudleaux discusses the importance of friendships in the music business / (40:21) The conversation shifts to the Bryant’s advantages at Acuff-Rose / (42:40) John asks about the promotional aspects of Acuff-Rose / (46:28) The conversation segues to the Bryant’s pitching their own songs, both at Acuff-Rose and their own published songs / (51:53) John asks what other prominent Acuff-Rose writers did for pitching songs; Don Gibson and John D. Loudermilk / (54:41) The conversation continues with John D. Loudermilk’s above average demos / (58:20) John asks Boudleaux about other Nashville songwriters in the 50’s and 60’s / (59:17) John segues into publishing companies of the same era, specifically Cedarwood / (1:02:47) John asks if the Everly’s songwriting damped the Bryant’s ability to get cuts with them / (1:03:15) John asks why the Everly Brothers left Archie Bleyer and Wesley Rose and the conversation shifts into the million-dollar advance / (1:09:05) Boudleaux discusses more details about the end of the Bryant’s Acuff-Rose contract and the shift back to owning their own copyrights / (1:13:56) John asks for more specifics in the separation from Acuff-Rose and how the Bryant’s got their copyrights back, to House of Bryant / (1:17:03) John asks if Boudleaux thought about opening an ASCAP affiliated firm and the conversation shifts to payout processes from BMI and ASCAP / (1:22:24) John brings the conversation back to House of Bryant, Boudleaux discusses the staff involved with promotion / (1:24:26) Boudleaux discusses his son’s roles in the music business / (1:28:44) John asks what Boudleaux has noticed change about publishing from 1965 to 1983 / (1:32:53) The conversation narrows to mechanical royalties and the emerging tape reproduction abilities (pirating) / (1:37:48) John asks about the songwriting process, Boudleaux and John have a back and forth on songs now and songs then / (1:48:27) The conversation goes in and out of the Bryant’s writing style and Fred Rose / (1:56:33) The conversation narrows to Fred Rose’s input to Hank Williams’ songs and Bryant’s songs / (1:59:49) The conversation segues into Fred Rose’s opinions on ASCAP and BMI / (2:02:44) John asks about specifics with Fred Rose and ASCAP / (2:03:55) John asks about performance royalties in early contracts / (2:04:55) The conversation shifts to "Country Boy" and the earnings and background on that song / (2:12:00) The conversation shifts into Fred Rose writing country music and meeting Gene Autry / (2:17:20) The conversation transfers into Fred Rose’s shift from songwriter to publisher and song doctor / (2:20:27) Boudleaux discusses a conversation with Fred Rose when signing with Acuff-Rose and other writers who worked there / (2:26:04) John segues to specific songs that Fred Rose wrote / (2:31:43) John asks specifically about "We Live in Two Different Worlds" / (2:37:33) John brings the conversation to the personal side of Fred Rose; his dress, his humor, his habits, and his religion / (2:45:17) The conversation narrows to specifics on Fred Rose’s beliefs
Length	2 hours 50 minutes
Date of Interview	1983-05-12
Interviewee(s)	Bryant, Boudleaux
Interviewer(s)	Rumble, John W.
Interview Location	Cheatham County, Tenn.
Digital Preservation Filename (Audio Recording)	boudleauxBryant_interview_19830512_OHC000071_dm_pres.wav
Format	44.1/16
Channel	Dual-mono
Digital Preservation Filename (Transcript)	boudleauxBryant_interview_19830512_OHC000071_tran_pres.tiff
Artifact Location	5th Floor Archives
Source	Country Music Foundation
Rights	This audio file is the property of the Country Music Hall of Fame® and Museum and may be protected by U.S. and international copyright laws. The file may not be downloaded, reproduced, or distributed without permission. End users must obtain all required permissions or consents from the owners of such rights. To inquire about use permissions and obtain a high-quality version of this, contact audio@countrymusichalloffame.org. Please cite audio file information in email.

Boudleaux Bryant Interview - 1983-05-12

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Boudleaux Bryant Interview - 1983-05-12

Boudleaux Bryant Interview - 1983-05-12